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Johnny Paycheck

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Artist info:
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GenreCountry
Rank
Albums82
Songs238
AboutThe first time that many people ever heard of Johnny Paycheck was
in 1977, when his "Take This Job and Shove It" inspired one-man
wildcat strikes all over America. The next time was in 1985, when
he was arrested for shooting a man at a bar in Hillsboro, OH. That
Paycheck is remembered for a fairly amusical novelty song and a
violent crime (for which he spent two years in prison) is a shame,
for it just so happens that he is one of the mightiest honky tonkers
of his time. Born and raised in Greenfield, OH, Paycheck was
performing in talent contests by the age of nine and riding the rails
as a drifter by the time he turned 15. After a Navy stint landed him
in the brig for two years, he arrived in Nashville, where he
performed in the bands of Porter Wagoner, Faron Young, Ray Price,
and George Jones. He recorded several singles under the name
Donny Young, then, in 1965, cut his first sides as Johnny Paycheck
for the Hilltop label. A year later, he and gadfly producer Aubrey
Mayhew started the Little Darlin' label, for which Paycheck recorded
his greatest work. Marked by Lloyd Green's knockout steel guitar
and Paycheck's broad, resonant vocals (not to mention his
rounder's sense of humor) his Little Darlin' records of the 1960s
have since become cult favorites. After splitting with Mayhew (and
after running his life into the gutter) Paycheck made a celebrated
comeback on Epic in the 1970s. "Take This Job and Shove It" was
the most famous result, though ballads like "She's All I Got" and
"Someone to Give My Love To" are far more indicative of his
stylistic range.

Born Donald Lytle, Paycheck began playing guitar when he was six,
and within three years, he was performing talent contests across
the state. When he was 15, he ran away from home, hitchhiking,
and hoboing his away across the country, singing in honky tonks
and clubs along the way. By his late teens, he had joined the Navy,
but while he was serving, he assaulted a superior officer and was
convicted of court martial. As a result, he spent two years in the
brig. Upon his release, he moved to Nashville, where made the
acquaintance of Buddy Killen at Decca Records, who offered him
a contract. At Decca, Paycheck released two rockabilly singles on
the label under the name Donny Young; neither were hits. Shortly
afterward, he moved to Mercury, where he released two country
singles, which were also failures. By that time, he had begun
supporting other musicians, playing bass and occasionally steel
guitar with Porter Wagoner, Faron Young, and Ray Price. He
frequently moved between employers because of his short-fused
temper. Paycheck finally found his match in George Jones. He
stayed with Jones for four years, fronting the Jones Boys
between 1962 and 1966, and singing backup on George's hits
"I'm a People," "The Race Is On," and "Love Bug."

Toward the end of his stint with Jones, Donald Lytle refashioned
himself as Johnny Paycheck, taking his name from a Chicago
heavyweight boxer. Late in 1965, he relaunched his solo career
with the assistance of producer Aubrey Mayhew, who produced
a pair of singles — "A-11" and "Heartbreak Tennessee" — for
Hilltop Records. Though it only charted at number 26, "A-11"
caused a sensation within the country community, earning several
Grammy nominations as well as reviews that compared Paycheck
to his mentor, Jones. In 1966, he and Mayhew formed Little Darlin'
Records, primarily designing the label to promote Paycheck, but
also recording Jeannie C. Riley, Bobby Helms, and Lloyd Green.
That summer, "The Lovin' Machine" became Paycheck's first Top
Ten hit. Also that year, he wrote Tammy Wynette's first hit,
"Apartment #9," with Bobby Austin and Fuzzy Owen; Paycheck
also wrote Ray Price's number three hit "Touch My Heart."

All of Paycheck's recordings for Little Darlin' Records rank among
his grittiest, hardest country, but they weren't necessarily big hits.
Between 1967 and 1969, Paycheck had eight more hit singles,
with each record progressively charting at a lower position than
its predecessor — "Motel Time Again" reached number 13 in early
1967, while "If I'm Gonna Sink" climbed to number 73 in late
1968. Though "Wherever You Are" showed signs of a comeback
in the summer of 1969, peaking at number 31, the label went
bankrupt shortly after its release, partially due to Paycheck's
declining commercial performance, partially due to his heavy
drinking and erratic behavior. Over the course of the next year,
he moved to California and sunk deeply into substance abuse.
Meanwhile, Billy Sherrill at Epic Records had been searching for
Paycheck with the hopes of producing his records. The label
finally tracked him down in 1971 and offered him a contract,
provided that he cleaned himself up. Paycheck accepted the offer
and, with Sherrill's assistance, kicked his addictions.

Like many of Sherrill's records of the early '70s, his Paycheck
recordings were heavily produced and often layered with stings.
Though this was a shift from the hardcore country that Paycheck
made on Little Darlin', the new approach was a hit — his debut
single for the label, "She's All I Got," became a number two hit
upon its fall 1971 release. It was quickly followed by another
Top Ten hit, "Someone to Give My Love To," and Paycheck was
finally becoming a star. During the next four years, he had 12
additional hit singles — including 1973's Top Ten singles
"Something About You I Love" and "Mr. Lovemaker," and 1974's
"For a Minute There" — with the more accessible, pop-oriented
songs Sherrill crafted for him, but Paycheck's wild ways hadn't
changed all that much. In 1972, he was convicted of check
forgery and, in 1976, was saddled with a paternity suit, tax
problems, and bankruptcy. Accordingly, he shifted his musical
style in the mid-'70s to put him in step with the renegade outlaw
country movement.

Paycheck's first outlaw album, 1976's 11 Months and 29 Days
(which happened to be the length of his suspended sentence for
passing a bad check), featured a photo of him in a jail cell on
the cover, signalling his change of direction. Initially, his outlaw
records weren't hits, but early in 1977 he returned to the Top Ten
with a pair of Top Ten singles, "Slide Off of Your Satin Sheets" and
"I'm the Only Hell (Mama Ever Raised)." Later that year, he
released his cover of David Allan Coe's "Take This Job and Shove
It," which became his biggest hit, spending two weeks at number
one; its B-side, "Colorado Kool-Aid," also charted at number 50.
Soon, Paycheck's records were becoming near-parodies of his
lifestyle, as the title "Me and the I.R.S." and "D.O.A. (Drunk on
Arrival)" indicated. Nevertheless, he stayed at the top of the
charts, with "Friend, Lover, Wife" and "Mabellene" both reaching
number seven in late 1978 and early 1979.

Shortly after the twin success of those singles, his career began to
crumble due to his excessive, violent behavior. In 1979, his former
manager Glenn Ferguson began a prolonged and difficult legal
battle. In 1981, a flight attendant for Frontier Airlines sued him
for slander after he began a fight on a plane. The following year,
he was arrested for alleged rape. The charges were later reduced
and he was fined, but by that point, Epic had had enough and
dropped him from the label. Paycheck moved over to AMI, where
he had a number of small hit singles between 1984 and 1985.
Later in 1985, he had a barroom brawl with a stranger in
Hillsboro, OH, that ended with Paycheck shooting and injuring his
opponent. The singer was arrested for aggravated assault and
spent the next four years appealing the sentence while he recorded
for Mercury Records. None of his singles for the label reached the
Top 40, and he was dropped from the label in 1987. He spent 1988
at Desperado Records before signing with Damascus the following
year, after his conversion to Christianity.

In 1989, Paycheck's appeals had expired and he was sentenced
to the Chillicothe Correctional Institute. He spent two years at the
prison, even performing a concert with Merle Haggard at the jail
during his stint, before being released on parole in January 1991.
Following his release, Paycheck kept a low profile, playing shows
in Branson, MO, and recording for the small label Playback Records.
After battling diabetes and emphysema for a number of years,
Paycheck passed away in February 2003. He was 64.

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