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    Most popular songs

    # Song LSI Rank
    1In The Middle Of The Night lyrics
    2In The City lyrics
    3Call Me lyrics
    4Burning The Boats lyrics
    5Jennie (A Portrait Of) lyrics
    6Rainbows lyrics
    7Powder Blue lyrics
    8Drip Fed Fred lyrics
    9That Close lyrics
    10Nutty Theme lyrics

    Most popular albums

    # Album LSI Rank
    1Oui Oui Si Si Ja Ja Da Da [2012]
    2On Board The Nutty Express: Live At The Astoria [2010]
    3Seven [2010]
    4Total Madness [2009]
    5Guided Tour Of Madness [2009]
    6The Liberty of Norton Folgate [2009]
    7Nw5 [2007]
    8Divine [2005]
    9Dangermen Sessions [2005]
    10Singles Box 1 [2003]


    Along with the Specials, Madness were one of the leading bands of the ska revival of the late '70s and early '80s. As their career progressed, Madness branched away from their trademark "nutty sound" and incorporated large elements of Motown, soul, and British pop. Although the band managed one crossover American hit in 1983, the band remained a British phenomenon, influencing several successive generations of musicians and becoming one of the most beloved groups the country produced during the '80s.

    The origins of Madness lie in a ska group known as the Invaders, which was formed by Mike Barson, Chris Foreman, and Lee Thompson in 1976. By 1978, the band had changed their name to Morris and the Minors and had added Graham "Suggs" McPherson, Mark Bedford, Chas Smash, and Dan Woodgate to the group. Later in 1978, they changed their name to Madness, in homage to one of their favorite Prince Buster songs. The following year, Madness released their debut single, a tribute to Prince Buster entitled "The Prince," on Two-Tone. The song was a surprise success, reaching the British Top 20. Following its success, the band signed a record contract with Stiff Records and released another Prince Buster song, "One Step Beyond," which climbed to number seven.

    Madness quickly recorded their debut album, also titled One Step Beyond, with producers Clive Langer and Alan Winstanley. Released toward the end of the year, the album peaked at number two in Britain and it stayed on the charts for well over a year. At the beginning of 1980, the band's third single, "My Girl," peaked at number three. For the next three years, the group had a virtually uninterrupted run of 13 Top Ten singles, during which time they were one of the most popular bands in Britain, rivaled only by the Jam in terms of widespread popularity. Where the Jam appealed to teenagers and young adults, Madness had a broad fan base, reaching from children to the elderly. Which didn't mean their music was diluted -- they continued to expand their sound, both musically and lyrically.

    In the spring of 1980, Madness released the Work Rest and Play EP, which reached number six on the strength of the EP's lead song, "Night Boat to Cairo." Also during the spring, One Step Beyond was released in the United States, where it peaked at 128. Madness' second album, Absolutely, was released in the fall of 1980. The record peaked at number two on the British charts, but it stalled at number 146, in the U.S. Sire dropped the band after the commercial disappointment of Absolutely, leaving Madness without an American record contract for several years.

    Back in England, Madness continued to gain momentum, as the group began playing matinee shows on their tours so children under 16 years old could attend the concert. In the fall of 1981, the band released their third album, Seven, which peaked at number five. In January of 1982, Madness hit number four with a cover of Labi Siffre's "It Must Be Love." In March, their streak of Top Ten hits was interrupted when "Cardiac Arrest" stalled at number 14 on the charts, due to radio's reluctance to play the tune. The band bounced back a few months later with "House of Fun," their first number one single. That same month, the hits compilation, Complete Madness, reached number one.

    Madness returned in the late summer of 1982 with The Rise and Fall, their full-fledged shift to pop. Like their previous albums, it was a British hit, reaching the Top Ten, but it also contained the seeds of their brief American success with the Top Five British single "Our House." The single was released in America on the group's new label, Geffen, and it received heavy airplay from MTV. The music-video television network had previously played the videos for "House of Fun," "It Must Be Love," and "Cardiac Arrest" when the band's albums were unreleased in the United States, thereby setting the stage for "Our House" to become a massive hit. With "Our House," Madness had MTV exposure coincide with a record release for the first time, which sent the single into the American Top Ten in the summer of 1983. The success of the single brought the U.S. compilation album, Madness, to number 41. Madness managed one more American Top 40 hit that fall, when "It Must Be Love" peaked at number 33.

    At the end of 1983, Mike Barson -- the band's key songwriter -- left the group to settle down with his wife. Although Madness was able to stay near the top of the charts with their first post-Barson release, "Michael Caine," the band's fortunes began to decline over the course of 1984. Upon its release in the spring, Keep Moving hit number six on the British charts; in America, the record reached number 109. In June, the group released its final single for Stiff Records, "One Better Day," which peaked at number 17. In the fall, Madness formed their own record label, Zarjazz. Madness released "Yesterday's Men," their first recording on Zarjazz, in September of 1985, nearly a year after the label's formation. The record peaked at number 18 and its parent album, Mad Not Mad, reached number 16 upon its October release. Their chart decline continued early in 1986, when their cover of Scritti Politti's "Sweetest Girl" peaked at number 35. For most of 1986, the group was quiet. In September, Madness announced they were disbanding. Two months later, their farewell single, "Waiting for the Ghost Train," was released, charting at number 18.

    After staying dormant for a year and a half, the group reunited at the beginning of 1988 as a quartet called the Madness, releasing its comeback single, "I Pronounce You," in March. The Madness featured Chris Foreman, Lee Thompson, Chas Smash, and Suggs, and was augmented by the Specials' keyboardist Jerry Dammers and Steve Nieve (keyboards) and Bruce Thomas (bass) of the Attractions. "I Pronounce You" reached number 44 on the U.K. charts and its accompanying album stiffed upon its spring release. The group disbanded for a second time that fall.

    In the summer of 1992, the original lineup of Madness reunited to perform two outdoor concerts at London's Finsbury Park. The group dubbed the event Madstock and released a recording of the shows on Go! Records. Madstock became an annual event for the next four years -- every summer the band would reunite and headline an outdoor festival at Finsbury Park. Suggs launched a solo career in 1995 with The Lone Ranger, which performed respectably in the U.K. charts. In 1996, Madness played the final Madstock and announced they planned not to reunite for future concerts, but by 1998 they were back on the road, with a Los Angeles date recorded for release as Universal Madness the following year. The group also reunited with original producers Clive Langer and Alan Winstanley to record their first new material in over a decade. The resulting Dangermen Sessions, Vol 1 was released in 2005, followed in 2009 by The Liberty of Norton Folgate, the group's ninth studio album.

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    • LetsSingIt (11)
    •  guest says:
      pop out
       Trevinator says:
      Like 004-11-2010 01:25
      @ Our House song
      Pretty catchy... I would have to agree, this one is a classic.
       lfcgal says:
      Like 016-01-2008 17:21
      [b]Love it! one of the best they've ever recorded[/b
      Like 009-08-2006 04:59
      @ Our House song
      A catchy classic
       freakpoet says:
      Like 010-06-2006 05:02
      @ Our House song
      Oh yes I love this song. It's quite overlooked I must say, but it is very catchy.
      Like 010-06-2006 02:16
      @ Our House song
      This song is very catchy I'm surprised this is the first post! Ah, anyway, I love this song
      Like 009-12-2005 00:25

      Not only a song by Madness, a song by Madness about a 16 year-old boy.

      Not only a song by Madness about a 16 year-old boy, a song by Madness about a 16 year-old boy losing his virginity.

      Not only a song by Madness about a 16 year-old boy losing his virginity, a song by Madness about a 16 year-old boy losing his virginity......in a whore house!

      What more could you want???

      It's a killer song.

      I love Madness so damn much.

       schmeep says:
      Like 002-06-2005 13:35
      Lmao has anybody read the lyrics?
       Daphne123 says:
      Like 002-06-2005 13:29
      welcome to the house of fun
      love it!!
      Like 018-03-2005 18:27
      I love this song so much ...It's a fun song, a real classic one!
       koston_gurl says:
      Like 027-01-2005 01:27
      @ Uncle Sam song
      i just heard this song and its pretty cool um is this ska?
      show more (11-11 of 11)